Christian
America has finally found a way to send Hollywood
a message: by going to a movie.

The
movie I allude to, lacking a single big-name actor and
filmed in foreign indeed, dead languages,
had some trouble even finding a distributor. And in its
first week of release, it garnered more revenue than all
of Hollywoods current films
combined.

Hollywood
is now torn between its hatred of God
and its love of Mammon. It despises all things Christian,
especially Catholic, but it harbors a profound reverence
for those box-office receipts.

Still,
putting principle above profit, some
Hollywood moguls are vowing revenge on producer-director
Mel Gibson. Theyll never hire him again, they
swear, forgetting that he has successfully defied them
and will never
need them again.

I
should mention at once that even some serious Catholics
have found flaws in
The Passion of the
Christ.

One
thoughtful criticism is that the motives of the rabid
high priest Caiaphas are never satisfactorily explained.
I must say that I was too overwhelmed by the film to
notice this, and I must watch it again when my nerves are
up to it. Its hard for anyone to keep a sense of
proportion about this stunning movie, and I admire those
who, when watching it, can separate their emotional
experience of it from their memory of the Gospels.

Even
Gibsons undoubtedly good intentions mustnt
exempt the film from rational judgment. That would be
merely the reverse of his enemies position that his
supposedly evil motives make
The Passion a
terrible film.
A Sign of Contradiction

In
the end, Catholics will disagree about it; and so will
Jews. Some Jews already fear that Jewish attacks, not
only on the film but on the Gospels and Christianity,
will alienate evangelicals who have been staunchly
supporting Israel, but who also packed movie houses
during the past week, reports the Jewish newspaper
Forward.

Some
conservative Christians want to blame the anti-Gibson,
anti-Christian barrage on liberals, but this
is silly. Two of the most vicious smears have come from
the neoconservative columnists William Safire and Charles
Krauthammer; Gertrude Himmelfarb, wife of Irving Kristol,
has made a more reasonable case against the film, though
she also calls it sadistic (without having
seen it).

Safire,
however, traces the Holocaust back to
Christ Himself, who laid the groundwork for violent
persecution with the words I come to bring not
peace, but a sword. Safire neglects to explain that
this is a metaphor; Jesus immediately goes on to explain
that His teaching will set father against son, mother
against daughter, and so forth. He also says (its
in the movie) that those who live by the sword will die
by the sword.

So
our Lord once again proves to be a sign of
contradiction this time for the conservative
movement. The dispute goes far deeper than politics.

Krauthammer
is slightly less absurd than Safire,
but more adroit in his insinuations. He blames the
Catholic Church for the blood libel the
Gospels affixed upon the Jewish people [that] had
resulted in countless Christian massacres of Jews, and
prepared Europe for the ultimate massacre six
million Jews systematically murdered within six years
in the heart, alas, of a Christian continent. It
is no accident, he goes on, that Vatican II
occurred just two decades after the Holocaust, indeed in
its very shadow.

Gibson,
he writes, has committed a
singular act of interreligious aggression,
openly rejects the Vatican II teaching, and
gives us the pre-Vatican II story of the villainous
Jews. The council had tried to unteach the
lesson that had been taught for almost two millennia:
that the Jews were Christ-killers.

Note
what Krauthammer is doing here: He is turning a goodwill
gesture of Vatican II into a smear of almost two
millennia of Christendom. Evidently the council was
summoned, in the shadow of the Holocaust (a
word not even in currency until years after the council),
for the chief purpose of unteaching what the
Church had always taught, causing countless
Christian slaughters of Jews.

Youd
think Catholics had greeted the
councils teaching with the incredulous question,
You mean we cant even kill Jews
anymore?

In
all the raging against the film, Ive read the word
countless countless times. The further these
alleged Christian atrocities recede into the past, the
worse they seem to become.

But
this propaganda insults Jews as well as Christians, and
defies common sense. It means to tell us that Christians
constantly behaved inhumanly, with what Krauthammer calls
a history of centuries of relentless, and at times
savage, persecution of Jews in Christian lands. But
it also suggests that the Jews, living in Christian lands
where they were bitterly hated, were uncommonly passive,
unlike any Jews (or normal human beings) ever known.

In
response to Gibsons film, many hoary anti-Catholic
slanders have been revived, including the beloved myth of
the Spanish Inquisition, which (we are told) also killed
countless Jews, though it had no authority
over Jews and was by modern standards a rather pokey
affair.

One
hostile historian estimated that it executed a total of
about 10,000 people over the more than three centuries of
its existence; modern historians believe the total was
far lower.
Behaving like Christians

The
remarkable success of Gibsons film wont kill
off the myths that never die, but it does prove that
American Christians, despised by Hollywood, are more than
a niche market.

They
have been attending the film by the tens of millions, and
they have behaved like the Christians they are, with
absolutely none of the violence against Jews that was
predicted. Even one beating of a Jew would have produced
nationwide headlines and several Krauthammer columns.

The
predictions themselves were only more of the
anti-Christian propaganda we have come to expect.

Ill soon be examining the fear
of Christ, which I call crying Wolf! at the Lamb, in my monthly newsletter,
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Joseph Sobran